Inside the white rooms of the Palais de Tokyo, designer Niccolò
Pasqualetti showed a Spring/Summer '26 collection that was strong and
artistic.
Inspired by the heavy metal sculptures of artist Richard Serra, the
clothes beautifully mixed sharp tailoring with soft, flowing
shapes. The best part of the show was how the clothes could transform, featuring
long coats that turned into dresses and leather bomber jackets with
removable sleeves. Some tops and dresses were made of geometric fabric
shapes stitched together, showing tiny glimpses of skin
beneath. The collection played with contrasts by mixing tough leather with light
cottons and thin silks. The designer also used unique details like thick
steel wires and silver metal balls that wrapped around the models' bodies,
alongside a special new recycled fabric that created beautiful, flowing
white dresses. The show started with bright, pure whites, moving through
earthy tones, and ending with deep blacks.
Our absolute favorite looks of the collection focused heavily on leather,
starting with an oversized, brown bomberjacket that balanced utilitarian
grit with high fashion. The black leather dress was another great
standout, pairing an open back with a perfectly sculpted balloon skirt.
Another look we completely fell for was the wide, beige, cargo-style maxi
skirt paired perfectly with an oversized white long shirt, creating an
cool, relaxed proportion. We also loved a stunning black sequin dress that
featured a deep décolleté and flowing fringes, styled over a pair of black
pants.
Overall, the styling for the entire collection was a big shoutout.
The accessories looked like wearable art, featuring sculpted metal
belts, long necklaces, and leather bags with large round holes cut out
of them.
In an unusual twist, some small purses had horsehair brushes on the bottom
that swept the floor as the models walked. Ultimately, Pasqualetti focused
on smart, clean designs instead of wild gimmicks, proving that clothes can
look like modern art while still being completely wearable.
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