



In a fashion landscape often dominated by spectacle and commercial
appeal, Uma Wang's Spring/Summer '25 collection offers a powerful
craftsmanship and elegance.
The Constantin Brancusi exhibition at the Centre Pompidou last
summer, startingpoint of the this collection, left a strong
impression at Wang. The designer was deeply inspired by his work and
the way he combined precise shapes with a sense of flow. What struck
her most was his masterful fusion of materials; wood, marble, and
stone, which sparked a shift in her own creative process. Inspired,
she began to explore new textile combinations, rethinking her
collection through a Brancusian lens.
The collection unfolded in shades of white, beige, and soft grey,
serving as a neutral canvas for Wang's 'less is more' use of texture
and fabric. Natural materials like silk, linen, and cotton, bring a
tactile richness to the pieces, combining comfort with luxury.
Subtle detail's, including embroidery and hand-applied
embellishments, elevated each garment into sophistication without
overwhelming the overall simplicity. The designs balanced
structure
and softness, reflecting Brancusi’s mix of contrasting elements.
Absolutely stunning were the halter-top dresses, including a
short-sleeve version, all shaped with sculptural ruching gathered at
the hip. Made from a variety of fabrics like lacquered finishes and
linen, the dresses flowed all the way to the floor with effortless
style, and our top look. Another favorite look was the
one-shoulder top made of layered ruching, loosely tied at the back.
It had a hint of 70s style, but the neutral colors and choice of
fabrics made it feel clean and elegant.
By avoiding seasonal trends and focusing on a timeless, sculptural
style, Wang continues to blur the line between fashion and art. As
an artist, she shapes the body through careful cuts, layering, into
a refined minimalist style. Her pieces weren’t just beautiful, they
explored shape, space, and the body, just like Brancusi's work and
all with a confidence and beautiful style.
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